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Reading for the Plot: Design and Intention in Narrative, by Peter Brooks
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A book which should appeal to both literary theorists and to readers of the novel, this study invites the reader to consider how the plot reflects the patterns of human destiny and seeks to impose a new meaning on life.
- Sales Rank: #836464 in Books
- Brand: Brand: Harvard University Press
- Published on: 1992-03-01
- Released on: 1992-03-31
- Original language: English
- Number of items: 1
- Dimensions: 8.11" h x 1.03" w x 5.50" l, .96 pounds
- Binding: Paperback
- 392 pages
- Used Book in Good Condition
Review
A major book by a major critic. It will appeal both to literary theorists and to readers of the novel, and it is likely to be seen as an important point of reference for many years to come. (Terence Cave Times Literary Supplement)
Peter Brooks has delivered a major contribution to narrative theory and critical practice in a book remarkable for its lucidity and theoretical adventurousness. (Terry Eagleton Literature and History)
What is...gratifying about Brooks's approach is his insistence that plot elements must survive even the most radical postmodern consciousness...As he so eloquently confirms, so long as there is self-conscious life on earth, there will be narrative plotting in some form or another. To expect us to give it up would be like asking us to give up breathing. (Christopher Lehmann-Haupt New York Times)
A brilliant study...The author goes beyond what he considers the too static approach of the structuralist literary critics to probe the dynamics of narrative and show how they answer our psychic needs...Reading for the Plot is a stimulating ground-breaking book that invites us to consider anew how plotting both reflects the patterns of human destiny and seeks to impose meaning on life. (Publishers Weekly)
About the Author
Peter Brooks is Tripp Professor of Humanities at Yale University.
Most helpful customer reviews
1 of 2 people found the following review helpful.
Difficult, requiring in depth grasp of literary theory
By Elaine
I stopped in exhaustion once I grasped the main thesis--plot is fate, discernable in character, and the author is the fate god.
3 of 3 people found the following review helpful.
I happened to come across this book while studying English ...
By Max
I happened to come across this book while studying English Literature at Cambridge University in the UK, and in all my time there this was the most interesting and genuinely revelatory of all the works of literary criticism I read.
51 of 54 people found the following review helpful.
One of the best books I have read on the novel.
By James Wood
Peter Brooks shows, through a series of sensitive analyses of ninetenth and twentieth century novels (and also Freud's case history of the "Wolf Man") what can be got out of novels by attending to what is sometimes thought to be the dryest, most uninteresting thing about them: their plots. Brooks' main argument is that "plot" is not something static - like a skeleton keeping a story together - but something that is continually shaping and being shaped by stories as they develop through time. Brooks main mentor in this book is Sigmund Freud, but Reading for the Plot is very far from the kind of psychoanalytic criticism that seeks to explain Hamlet's neuroticisms in terms of his relationship with Gertrude. Rather, Brooks relates Freud's theories to narratives themselves, showing how, for example, narratives simutaneously engender and thwart readers' desire for "closure." The essay on Dickens' Great Expectations is particularly illuminating, probably because Great Expectations is a novel whose very title describes the kind of plot-philia Brooks is talking about.
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